Bored Wolves

Serpentine is poet Tara K. Shepersky’s topography of the California that raised and sustains her, landmarked by sites of homecoming and haven

This little book by London-based author and illustrator Eleonora Marton weaves together patterns from a collection of watercolor studies called Blankets and a selection of drawings from the ongoing dream diary It Happened Last Night.

Moonscape for a Child is illustrated by artist Julia Rigby, working in ink and blue wash to convey the merging of psyche into observed landscape and the domestic everyday into the realm of myth and back again.

In her poem-zine Vestibular Training, the Italian-Greek poet Alex Keramidas evokes Grecian scenes that, whether desired or not, become frictional palimpsests of past trauma extending back to disrupted infancy, ballasted by present-day emergence in settings that hold forth the promise of solace.

Pocket-sized, 28-page zine of poetry and collage by Bristol author and comix artist Simon Moreton

In Herd / Stado, artist Karolina Bielawska reveals the endoskeleton and interstices of her painting practice, tracing the fricative flow of process from rarely seen works on paper through to finished, large-scale acrylic and bitumen canvases.

Warm Mother Cold Mother to photobook wydany przez wydawnictwo Bored Wolves. Książka ma strukturę opowieści snutej przez fotografie, prozę i zielniki. 

“Inside the apartment, shrouded by net curtains, the kitchen is close to bare—but, importantly, not so…”

Alex Rossiter, in Notes from a Polish Allotment, his forthcoming haibun collection of prose, haiku, and pencil drawings (Bored Wolves, June)

Tworzenie ogrodu permakulturowego polega na nieustannym uczeniu się od natury. Co to oznacza w praktyce?

Poem-zine by Sara Dian

Poems by Selcan Peksan, drawings by Maja Daneková

Poems by Dylan Angell with illustrations by Mark He

Prose and paintings by Seçil Koman

The Stoneware Jug is a collection of poem-comics by Stefan Lorenzutti (words) and John Porcellino (pictures), in which American comix legend Porcellino (King-Cat, Thoreau at Walden) “pours” the adapted poems into his pen-and-ink panels, as if into a handmade vessel.